

The Everyday Muse
An Experiment in Poetry by Harry Lafnear
Poetry for Week 26
These poems can also be heard in Episode 26 of the audio programs.
Sunday, June 25th, 2006
Morning Bloom
Anecdotes evade the light,
Failing in this warm evening.
It's a chase of hours
To capture anything
Interesting,
Worth relating,
And laying it here for you.
And it's a rough battle,
Slipping under the spell
Of the cool bed,
Quashing my desire
To plum that rolling path,
Relay fire and fear
Passion or pain.
Instead, I let the blindness come,
The top of the pen
Slipping along the skin
Of one bare shoulder,
My ever inner deepest sense
There at the junction
Of metal and flesh,
Sinking into its simple bliss.
I know nothing
But this one sensation,
Fading and falling,
Sending myself away
Wrapped in shadow,
Secure in the reflex
Of a deepening sigh.
Ever unheard and completely,
Without doubt,
Uninteresting
But for the sticky badge,
The flower of ink,
Left on my breast
For morning.
Monday, June 26th
Pillar
It's no conceit
To imagine myself a pillar
Like those I've seen in Rome,
Imagined by an ancient artist
And soothed from the living stone,
Fixed into place by a true engineer
At home in his scaffold,
His cables and muscled hench,
And now fallen, all.
It's not the years,
The thousands of years,
That erase such skill,
Such love and will, once tall,
But tanks and bombs--
Target practice and contempt
Inflicted on history
In an attempt to break
Not the blocks, but the men
Whose great gone fathers
Coaxed the stone to the sky.
Even the greatest fall in a flash,
And even when found,
Made tall again,
They're never truly whole
When cordoned off,
Purpose seized in time
And left for the ages to ponder,
A curiosity of some past life,
This evidence of
A lost civilization
Open till sunset
For tourists on a dash.
But even fallen, it's there,
The life of the place
Aching for remembrance,
For someone to cross
Their slim shadow,
And steadying themselves
On a slanted marble step,
Trade its strength
For the warmth
Of their outstretched palm.
Tuesday, June 27th
Left
There is no such thing
As left-handed--
Not after all the afternoons
My father stood and
Wrapped the wrong fingers
Around a baseball,
My awkwardness and
His disappointment
The first real memories
That sunk and stuck,
Deepened by every gutter-ball,
Every brick and shank,
Struck from my alien arm.
It was a good lesson:
That I could some to ignore
The sinking of his shoulders
As easily as any sinking pitch
That struck the earth
So wild and so away.
Just another inch of sky
Separating night and day
So there was no surprise
When I told him I was gay.
As if the points connected
And so absolved him
That I never learned to throw right.
Wednesday, June 28th
Harvest
A child of the hill,
The vine must dream
Well past noon,
Half shaded in valley,
Half shaded in mist,
Early summer
A mild meandering,
Mere suggestion
Of the warmth ahead,
Growing round and sweet
With the earth
And soft with the sky,
Red as the weathered hand
That shifts the leaf aside
And cradles the huddle
Waiting for the wind
To split the fog
And set the flesh
Sparkling in its skin,
The inner noon
Known with a kiss
Or a grope less tender,
Spilling the verdict
That the time
Is right to share
The oblivion
Of their bed.
Thursday, June 29th
Exhibit
These paintings
Make of me a sculptor.
And the statuary,
An architect.
And faced with
Tiny buildings
Under glass,
I am simply faint,
My dim ghost
On the case,
Haunted.
I slip between exhibits,
Sour that none
Fill me up,
Color me,
Shape me,
Envelop me,
And am grateful
Only that poetry
Is nowhere
On display.
Friday, June 30th
Curating Home
What the heck--
Call it all art:
Prints and posters,
Photographs,
And yes a painting or two,
A collection gone mad
In the merger of households,
My modern taste
For impact and symbol,
Blazing angles,
Gone weird
In the shade of your earthy zoo:
Lions and tigers,
Uneasily caged
By wide oaken frames
And look here,
On the backdrop of time:
Naïve icons vying
For resurrection
On these matte white walls.
No, Darth Vader will not sit
Next to the unicorns.
But for a laugh,
We could put them both
With the black and whites:
The breasts and buttocks,
The hungry eyes
We've never had
The balls to display.
What, and take them down
When your mother comes?
Tasteful is a matter of taste
And sorting though
Our rambling gallery
I cannot say that ours
Is any more comforting
Than being churned
By these bare bone walls.
And I myself have no idea
Which sense I mean
When I tell you:
Hang it all.
Saturday, July 1st
This marks six months, the half-way point in this project.
Half
One for me, one for you,
A Cheerio stuck to my finger,
Wet from plunging each piece
Into my mouth or hers.
It's the best game in the world,
And so quickly learned
That there must be more to it:
Some reptilian program
In the pit of the brain
That basks in the act of giving.
One for me, one for you,
A wooden block painted
With symbols that are
As tasty as the Cheerios
And delight me just the same
When she pretends to eat one.
That, I want to see
Over and over and over,
Though she gives in, and goes
Long before I tire.
Part for me, part for you,
A cookie on the playground
Or a bundled section of orange,
Sticky juices squeezed out
In the feat of making
This one thing two,
And no one asking
When the last time
My hands were washed.
It's a gift. A real one.
It might as well be love
Dripping into the dirt
Or burning wicked
In the scrape on my palm.
So yes, I will eat
The same fruit as you,
The same dirt as you,
And spit the seeds
Into the same hole
In the earth.
Now for me, latter for you,
Because there is only
One red fire truck
With a working ladder--
One in all the world--
And it's here
Between the mountains
Of my shoes,
Busy going nowhere
And everywhere
Except the domain
Of lions and dinosaurs
There at your knees,
Even though they burn
In the red light of your face
Forged in the heat of betrayal,
The teacher too at hand
For you to do as you please
And make it yours:
Now and later too for you.
Nothing for anyone.
Is not the lesson
Mom and Dad want for me,
But one I learn anyway
When it becomes clear
Some things do not divide
And have a higher worth
Than love, for this:
That cleft they are nothing,
And whole they are mine,
And if not mine
Then let them be cleft--
As divided as your heart
For holding it back,
For being happy
When I am denied.
Let it break in a way
That cannot be mended
And let the pieces fall
In a place that can't be found.
What do you have there?
What do I have here?
The hundred dollar shoes,
The pants with the silver stripe,
The SUV that drops me off
Four blocks away
Because yours drops you three.
That will show them--
Neighbors and friends--
That I am worth more, too,
Because I have more,
And if not more
Than at least as much.
Because the only way
Unique is better
Is if it's more:
A larger emptiness;
A more stubborn selfishness;
And more years
To reconcile, as well.
A thought from me
As incomplete
As the one from you,
Well past midnight,
Whispered toward
The crest of the tent
Where we send
Insanity, banality,
And dance around
The awkward truth
Of who we really are,
Craving to give back
One thing at a time
Until we learn
Whether what is left
Is that fire truck
Or that orange,
Though it's still not clear
That we really don't
Want to know.
Then it's all for you--
Whoever it is this time--
My ear, my gaze,
My heart and soul,
Because I've never met
Anyone as deserving,
Though a decade later
I'm still waiting
For my turn with the truck
And my orange is gone
And you still somehow
Think I owe you half.
But it's not half the CDs
And the furniture,
Or the car or the kids
That you want,
But half of my dignity,
Half of my confidence,
And you can have it all
If you promise to leave.
Mind the list
When I'm gone,
So carefully prepared,
Not that I'll care,
But I'm trying
To make it easier,
Doling out my library
My art and artifacts,
The things I just
Happen to have.
As if they mattered.
As if it wasn't all
Just toys
Halfway to broken.
And even though
I stopped loving
Any of it years ago,
I still need a place to sit,
And the company
Of a couple books.
Uphill or down?
Where was the mark
On the calendar
Where I met the peak
Where the weight of history
Would be always heavier
Than anything
I could hope would come?
And when did I learn
That the path is half
At the point of no return,
When here, ambling
On the tight track of time,
That day came
With my first full breath,
And everything since
Has been borrowed,
Marring my epitaph:
Whose orange
Have I been eating?
